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Circle Casting and Sacred Space


Written and compiled by George Knowles



Building a Circle and Altar


The origins of the magic circle lie in ancient history, forms of it were used in old Babylonian magic and many of the Ceremonial Magicians of the Middle Ages and Renaissance used them.  In pre-Christian Europe most Pagan religious festivals took place in circles, normally outdoors under the sky and stars at night.  There they celebrated the Earth’s fertility and worshiped the Sun, Moon and Deities.  But with the rise of Christianity and the newly powerful church, most of these pagan rites were outlawed and the oncoming persecution of witches forced the practice underground.  The pagans became secretive about their rites and practiced them outside only after dark, lit by fires and torches in far-out the way places.  Others brought the practice indoors away from prying eyes.  Stone circles such as Stonehenge and other megalithic monuments, sacred groves and revered springs across Europe, are remnants of those ancient days.


There are two main types of magic circles used.  Those formed by ceremonial magicians are designed to protect the magician from the forces that he or she raises.  While those formed by witches and wiccans, are mainly used to create sacred space in which to meet and commune with the Goddess, God and Spirits.  With today’s more liberal view on religion, pagan rituals are once again being practiced in the open air, but these tend to be mass gatherings in specially selected areas.  Most people, particularly those living in over populated towns and cities practice at home by transforming their living rooms or bedrooms into places of power and worship.


The magic circle is an area of non-physical space created and constructed of personal power (See - "What is Magick").  It’s a magical environment in which the deities are welcomed and celebrated, and where rituals and magical workings take place.  In a room filled with steel, plastic and the trappings of our technological age, as well as everyday living associations good and bad, the need for a private sacred space is envisaged.  The magic circle defines the ritual working area and holds in our personal power while shutting out distracting energies.  In essence it creates the proper working atmosphere for the ritual.  Constructed of personal power which is raised, felt and visualized as streaming out from the body through the magic knife (athame, or pointed finger if you haven't got one), a sphere of energy is created which encompasses the entire working area, above, below and all around it.  This energy sphere is what we consider to be the magic circle.


The Physical Circle:


To aid visualization (See - "What is Magic") when creating a magic circle, most witches mark out a physical circle on the ground.  Wherever you decide to form a circle, be it in the living room, bedroom or some other place, clear sufficient space to mark out a rough circle on the floor.  You can do this using a length of cord laid on the ground in a roughly circular shape, or lightly draw a circle using chalk.  If you don’t want to soil your nice living room carpet, use an old sheet and draw your circle on it, it can then be rolled up after you have finished and re-used on the next occasion.  Personally I use a collection of stones and pebbles to outline a circle; these can easily be picked up again once the ritual is over.  Other things to use might be flowers (ideal for spring or summer time rites), or pine needles (winter rites).  Some people use salt, earth or crystals to outline their circles.  Use objects that spark your imagination and that are in tune with the ritual you are performing. 


Circles are usually nine feet in diameter but any size comfortable enough to work in is fine.  Depending on your preference, the cardinal points can be marked by candles, Brown for North, Yellow for East, Red for South and Blue for West (See - "Candles").  The working tools (See - "Tools") can also be assigned to the four points, particularly if you don’t use an altar.  Place the pentacle, a bowl of salt or earth to the North representing the elements of Earth.  The censer containing smoldering incense is placed in the East to represent the elements of Air (Fresh flowers or stick incense can also be used).  To the South a burning red candle often represents the element of Fire (A lighted oil lamp or a piece of lava rock would also suffice here).  A cup or bowl of water is placed in the West representing the elements of Water, the last of the four elements.


The Altar: 


Once your physical circle has been constructed, you will next need to construct an altar.  The altar is normally positioned in the center, leaving sufficient room to walk or dance around it while remaining inside the circle.  Most people use a table of whatever type they have available, but if you are adventurous and desire to make a purpose built one, it can be made from any substance, though wood is normally used.  Many purpose built altars you can buy are made from Willow which is sacred to the Goddess.  Depending on your preference it can be round or square.  A round altar is symbolic of the Goddess and spirituality, while a square one represents the four elements. 


The altar doesn’t have to be a table at all, particularly if you are practicing outside; tables are bulky and cumbersome things to carry around.  It can be nothing more than an area of ground covered with a cloth upon which to lay out you tools.  A cardboard box covered with a cloth would also suffice, as would an old log or a large flat rock or stone.  Look around and use your imagination, make use of whatever is available, the more natural and nature based your material the better.  Generally the altar is place in the center of the circle facing North, its association with the elements of earth makes this the direction of power, ideal if during the rite you intend to do some magical workings.  Some place the altar facing East where the Sun and Moon rises, ideal if all you intend to do is commune with the God and Goddess.


While its not absolutely necessary, many witches dress their altars with an altar cloth.  These can be quite ornate or as plain as you like, but they do enhance its general appearance.  Altar cloths can be purpose bought if you don’t mind the expense, or you could make your own.  A simple plain sheet or tablecloth folded to size and draped over or around the altar would suffice for this.  If you like, you could even personalize it with runic signs and symbols.  Remember also to consider the colour of your altar cloth, and its correspondences with your rite or workings (See - "Colours").


The working tools can now be placed and arranged on the altar.  The left side of the altar is normally dedicated to the Goddess and tools associated with her are placed here.  These are generally:  the cup, pentacle, bell, crystal or wand and the cauldron.  It’s also nice if you have one, to place an image or statue of the Goddess here, but if you haven’t a green, silver or white candle can be substituted.  Also if you have one, a broom can be placed against the left side of the altar.  The right side of the altar is reserved for the God, and his tools of association.  These are: the censer, athame (black handled knife) and bolline (white handled knife).  Your Book of Shadows might also be placed here.  If you intend to work magic in your circle, be sure to have all your necessary ingredients and equipment within it before you start (i.e. matches, candles, herbs and oils, pen and paper etc), these can be placed on or beneath the altar as you feel fit.  Finally its a good idea to have some refreshments to hand for use during ritual as offerings , or to replace spent energy while working.  Most rituals finish with a "Cake and Ale" ceremony or feast.


The altar and the circle it stands in is your own personal construction, and there are no hard and fast rules as to how they should be constructed or arranged.  Use you imagination and do as you feel appropriate for the rite or work you are conducting.  If it pleases you, it will work for you to your own advantage and satisfaction.  You are now ready to begin preparing the circle for use.


Preparing the circle and self


As with all other aspects of working magic and performing ritual, the process of casting a circle is highly individualistic.  I cannot emphasize enough that there is no right or wrong way of doing things.  As such, and in time, you will find there are many methods of casting a circle, and while one method may work for some, it may not work for others.  You need to experiment and try different methods then improvise and do and use what works for you.  By doing this you can then form your own method, unique and special to you.


Circle casting is heavily reliant on your abilities to raise power and the use of visualization.  So if you are new to magic and circle casting you may wish to take time out here to read my article “What Is Magic” in which I have explained both techniques.


Purification of Space:


If you are practicing at home as most people do, be aware that “astral garbage”, pockets of negativity and other non-productive energies collect in our living spaces.  For instance, you may have had an argument with your husband or spouse, or scolded one of the kids for doing something wrong, or even received an unexpected bill and cussed the sender.  These are all perfectly normal everyday happenings but all produce negative energies the residual of which hangs around and remains.  As these energies can be disruptive to our “Sacred Space”, we need to ritually cleanse the area being used prior to the start of our workings.


Before lying out your physical circle and altar, clean the area physically with a brush, vacuum cleaner, or mop depending on your floor covering.  Now we can clean up any negativity that might be present.  There are several ways of doing this:


(1)   If you have one among your tools, use the magical broom to ritually sweep away the negative clutter.  This in effect is a symbolic action; the bristles of the broom need not actually touch the floor.  Sweep rhythmically while visualizing energy sparks or flames shooting out of the broom, blasting all the negativity away.  Know and feel it is doing so.  You could also set up a rhythmic chant while doing this, using words like:  Sweep, Sweep, Sweep this place.  Cleanse and clean my Sacred Space”.


(2)   If you don’t have a magical broom, an alternative is to use a bell.  Ringing a bell unleashes powerful energies, visualize its vibrations attacking and demolishing any negative energy.  Start at the North point of the circle and work your way deosil (clockwise) through East, South and West and ring the bell at each point.  Know and feel the vibrations cleansing the area.  Any type of bell can be used, but if you can, choose one with a resonant tone.


(3)   Another method is to simply burn purifying incense such as frankincense, myrrh, sage, thyme or rosemary (See - "Incenses").  Fumigate the area by walking deosil around the circle and visualize the smoke dispelling any negative energy.      


Once the area has been ritually cleansed, mark out your physical circle and place your altar in the center, then lay out all your tools together with any other equipment necessary for your rite or magical work.  Next you may wish to purify yourself with a ritual bath or shower, while at the same time preparing yourself mentally for the coming ritual.  When you think about it, we are all bombarded each day with negative thoughts and images, from scenes of carnage and destruction on the T.V., and in the newspapers, to our own dark thoughts and negative reactions.  Meditate for a while thinking positive things and purify your thoughts ready to begin your ritual.


Once you have bathed and the time to begin approaches, you will need to consider how to dress for your ritual.  Many witches particularly those of the Gardnerian path, prefer to work “skyclad” (naked), with the body in its most natural condition.  But ritual nudity isn’t for everyone, if you don’t feel comfortable working nude, even in private, then don’t, there are other options.  Many wear specialized dress such as robes and tabards.  These can be quite ornate or as plain and simple as you like.  They can be purpose bought if you don’t mind the expense, or make your own if you are handy with cotton and thread, you can even personalized it with you own runic signs and symbols.  Use natural materials and fibers such as cotton, wool or silk and remember also to consider its colour correspondences (See - "Colours").


If you don’t have specialized clothing to wear, simply wear some clean loose clothing of a neutral colour.  It is normal to keep whatever you wear separate and wear it only for ritual and magic.  The idea being that to slip into a garment used only for magic, lends a mystical atmosphere to your rituals by shifting your awareness to the coming proceeding and promoting ritual consciousness.  Still, as long as you are happy and comfortable with what you are wearing (or not wearing) then that is fine, but you may wish to experiment and see what suits you best.


One other thing to mention here is "Music".  Music and dance since ancient times has been incorporated into religious ceremonies and ritual magic.  Not only does music enhance the atmosphere of ritual, it can also have a powerful effect on stimulating our actions and producing magic.  Shamans of old (modern ones still do), used rhythmic drumbeats to induce trance like states in which to produce magic.  Many modern day witches incorporate and use of music before, during and after their rituals. Pre-selected or recorded music can be played before the ritual to start and aid meditation and set the mood.  During the ritual the steady beat of a drum may be used to set the pace of a dance or rhythmic rhyme of a chant.  After the ritual has finish, joyous or celebratory music can be played while relaxing.  Today there’s are a wide variety of pre-recorded Wiccan and Pagan cassettes tapes available, many are well worth investigating and trying.  Alternatively you could simply record appropriate pieces selected from classical, ethnic, folk or contemporary sources.


The last and final thing to do is to make sure you will not be interrupted.  Disconnect your telephone, close any open curtains and lock the doors if necessary.  If you are working at home and have family, tell them you are not to be disturbed for sometime.  Now you are ready to begin and cast your magic circle.




The Magick Circle


Enter your circle and light any altar candles you are using.  If you are using quarter candles, start at the North point (or East if that’s your preferred direction) and light the four candles walking deosil (clockwise) around the circle.  Return to the altar and light the incense.  Before the start of any ritual, magical working or divinatory activity, a witch will first 'Ground and Center' to booster the self's resources by infusing 'Personal Power' with 'Earth Power' producing calm within the inner-self ready for the work ahead (see "What is Magick").  Now you are ready to begin.


Stand in front of your altar or the center of your circle if you are not using one and face your preferred direction.  Concentrate and build your personal power within you (see "What is Magick").  When it has reached a fine pitch (you’ll know when it has with practice), hold out your projective hand (right if right handed) palm down at waist height and point your fingers at the edge of the physical circle on the ground (you could also use the athame if you wish).  Push out with your personal power and see and feel the energy flowing out from your fingertips (athame).  Visualize it as a bright light (coloured if you wish) and slowly walk deosil around the circle.  Now form it with your visualization into a swirling circling band of magical glowing light the exact width of your circle.


When you can see the band of light swirling about you expand it with your visualization and stretch it over and around you in the form of a dome, it should encompass the whole ritual area.  Now extend the energy down into the earth, see it forming into a complete sphere of pulsing glowing light as you stand at its center.  Feel it solidifying into a living glowing reality all around you.  Sense the edge of the circle and the difference in vibration within and without of it.  You may even feel the temperature rise, as the air inside grows warm, charged with your energy and alive with power.  When the circle seems complete and solid around you, cut off the flow of energy by turning the palm and clenching your fist pulling it back to your body.


This then is your magical circle, your sacred space completed.  Time now to recoup your energies before starting the next phase of the ritual.  Do this with a bite to eat or a sip of wine or water, while savoring the atmosphere you have created.  What you do next largely depends on your ritual or the magical work you intend to perform.  Some start by consecrating the salt and water held on the altar and using them to seal the circle.  Do this with the athame; touch the blade to the salt saying something like:


“I consecrate and cleanse this salt that it be purified and fit to use in this my sacred circle.  In the name of the Goddess and God, I consecrate this salt”.


Visualize energy flowing out of the athame and blasting away any negativity from the salt.  Next do the same with the water saying:


“I consecrate and cleanse this water that it be purified and fit to use in this my sacred circle.  In the name of the Goddess and God, I consecrate this water”.


Take up the salt and starting at the North (salt is symbolic of earth and represents North), sprinkle it around the circle moving deosil.  Visualize it purifying and sealing the circle against unwanted influences and negativity.  As you are doing so you might say something like:


Here is the boundary of my circle where naught but love shall enter in, where naught but love shall escape from within.  This I charge with the powers of earth.”


Completing the circle return the salt to the altar and take up the Incense.  Repeat the same process with all the other elements starting at each appropriate direction.  Incense for air representing East, Red candle for fire representing South (care should be taken here that it doesn’t blow out as you walk around the circle), and Water representing West.  Change the wording of the verse as you use each element.


Next you may wish to invoke the rulers of the four quarters to protect and watch over your proceeding.  There are various teaching regarding these rulers, some people link them as the “Spirits” of the elements, others see them as the “Old Ones” (anciently placed guardians or watchers of the four direction), still others think of them as the “Mighty Ones” (former humans who have climbed the incarnational ladder to perfection, thus allowing them to dwell with the Goddess and God).  The Mighty Ones are mythologically linked to the four directions.  Again here there are no hard and fast rules of which to use, so use what feels right for you.


Below is a basic method of calling the quarters rulers using the wand, however depending on the work and the forces you intend to call, a more powerful method of opening and closing the quarters is by using the invoking and banishing pentagram for added protection (see The Pentagram).


To call the rulers take up the wand in your receptive hand (left if your right handed).  Stand at the North edge of the circle and hold the wand aloft saying something like:


“Guardian Spirits of the North, Old Ones of the Earth.  I call upon you to attend my circle.  Guard it with your powers Mighty Ones!”


Don’t just say the words; try to say them with meaning.  Visualize the spirits arriving in a swirling glowing green mist, sense the earth’s energies cleansing and filling the north quarter of the circle with positive forces.  Open yourself to them and invite them in, stretch out with your awareness, sense, feel, and know when they have arrived.  When you can feel their presence, lower the wand and move to the East.  Raise the wand again and say:


“Guardians of the East, Spirits of the Air.  I call upon you to attend my circle.  Guard it with your powers Mighty Ones!”


Again don’t just say the words, believe in them and feel the spirits respond.  See and sense them arriving on yellow wind blowing away any negative influences and filling the east quarter of the your circle with intellectual energy.  When you can feel their presence, lower the wand and move to the South.  Raise the wand aloft again and say:


“Guardians of the South, Spirits of Fire.  I call upon you to attend my circle.  Guard it with your powers Mighty Ones!”


Visualize blazing orange flames of fire engulfing the whole area of the South quarter, burning, cleansing and protecting you from harmful forces.  Finally, when you can feel their presence, lower the wand and move to the West.  With the wand held aloft say:


“Guardians of the West, Spirits of Water.  I call upon you to attend my circle.  Guard it with your powers Mighty Ones!”


See the spirits rushing in on waves of blue-green water sweeping away all doubts and negativity, filling the West quarter of the circle with the powers of life and regeneration.  When you can feel their presence, replace the wand on the altar and stand still for a moment.  Feel and sense the circle around you.  Reach out to the spirits and welcome them, feel their presence and communicate with them.  Know they are there.  Feel the energies and visualize the circle glowing and growing with power.  Your circle is now complete and ready for your ritual to begin. 


Cutting a Doorway:


At times it may be necessary to leave the circle.  Contrary to some teachings, pushing your hand into or walking through the magic sphere will not cause any undue damage.  When you think about it being circular, if you stand at the very edge of the circle your head and feet will necessarily extend outside of it?  At most walking through the magic sphere will give you a jolt of energy and dissipate its strength.  Should this happen simply re-create it or strengthen it with renewed power.    


To prevent this from happening it’s a common practice to cut a doorway through which to walk.  Do this by facing Northeast and using your athame.  Pierce the wall of energy near the ground and cut and trace an archway large enough to walk through.  Move anti-clockwise in line with the edge of the circle as you are cutting and visualize that part of the circles energy being withdrawn into the athame.  Finish back at the starting point thus creating a hole or void through which you can walk.  Withdraw the athame and you are free to leave and re-enter without breaking the rest of the circle.


To close the doorway reverse the procedure.  Point the athame at the lower Northeast corner of the archway and push out with your power.  Visualize the energy you removed flowing out of the athame and retrace the archway by the moving clockwise.  Feel the energy being replaced and converging with the rest of the circle.  When you are happy the circle is complete again, cut off the energy flow and withdraw the athame.  You can now continue with your rite or workings.


Closing the Circle:


Closing the circle is normally a reversal of the casting process with a few minor differences.  Once the rite has finished and your magical work complete, thank the Goddess and God for their help if you have called them.  Some may do this with a simple "Cake and Ale" ceremony, making offerings and toasts to the deities before they depart, some may prefer to do this after the circle has been closed, the choice of course is yours.  Take up the wand and move to the North (or East if that’s were you started), and hold the wand aloft saying something like:


“Farewell, Spirits of the North, Old Ones of the Earth.  I thank you for your presence.  Till the next time Mighty Ones, go in peace with power”.


Repeat the same process for the other directions but this time moving “widdershins” (anti-clockwise) through West, South and East.  Some people take offence at this believing that moving anti-clockwise within a circle creates negative energies.  Because of this many witches now shun the practice even though it is based on orthodox teachings.  Some however still use it for dispersing the circle.  The choice is up to you, if you’re not happy to move widdershins, then move deosil as in the casting procedure.  Remember to change the words of the verse at each direction.


Replace the wand on the altar and return to the North (or East) position.  Pierce the wall of your circle with your receptive hand (or the athame if that’s what you used to create it).  Moving widdershins (or deosil) visualize the circles energy and power being sucked back into your body (or athame).  Feel the circle dissolving and shrinking as you pull back its energy.  As you are doing so, sense the outside world regaining its dominance over the area as you finish back in the North position.  Your circle is no more.


This brings an end to your use of power and energy for the time being, but while the power and energy raised during your rite or working may have been released towards its goal, residual traces of energy will still remain within the self.  It is important to 'Ground and Center' yourself again and release the remaining energy back into the ground were it will safely dissipate.


All that remains now is to extinguish the quarter candles and put away your tools.  Save any remaining salt for future occasions and pour any excess water outside onto bare earth.  Likewise, any cake and wine left over or offerings you have made to thank the Goddess and God, should be buried outside in the earth together with the incense ashes.  Next you can dismantle the physical circle and take up whatever you used to form it, also clean up any salt or other substances you may have used and scattered about during you rite.  Some people leave the altar standing to allow the Goddess and God candles, as well as any working candles to burn down and out in their own time, though you may wish to move it from the center of the area.




  Wicca, A guide for the Solitary Practitioner  - By Scott Cunningham.



Best wishes and Blessed Be


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About me:

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Wicca & Witchcraft


Wicca/Witchcraft /  What is Wicca What is Magick


Traditional Writings:


The Wiccan Rede Charge of the Goddess Charge of the God  /  The Three-Fold Law (includes The Law of Power and The Four Powers of the Magus) /  The Witches Chant The Witches Creed Descent of the Goddess Drawing Down the Moon The Great Rite Invocation Invocation of the Horned GodThe 13 Principles of Wiccan Belief /  The Witches Rede of Chivalry A Pledge to Pagan Spirituality


Correspondence Tables:


IncenseCandlesColours Magickal Days Stones and Gems Elements and Elementals




Traditions Part 1  -  Alexandrian Wicca /  Aquarian Tabernacle Church (ATC) /  Ár Ndraíocht Féin (ADF) /  Blue Star Wicca /  British Traditional (Druidic Witchcraft) /  Celtic Wicca /  Ceremonial Magic /  Chaos Magic /  Church and School of Wicca /  Circle Sanctuary /  Covenant of the Goddess (COG) /  Covenant of Unitarian Universalist Pagans (CUUPS) /  Cyber Wicca /  Dianic Wicca /  Eclectic Wicca /  Feri Wicca /


Traditions Part 2 Gardnerian Wicca /  Georgian Tradition /  Henge of Keltria /  Hereditary Witchcraft /  Hermetic Order of the Golden Dawn (H.O.G.D.) /  Kitchen Witch (Hedge Witch) /  Minoan Brotherhood and Minoan Sisterhood Tradition /  Nordic Paganism /  Pagan Federation /  Pectic-Wita /  Seax-Wica /  Shamanism /  Solitary /  Strega /  Sylvan Tradition /  Vodoun or Voodoo /  Witches League of Public Awareness (WLPA) /


Other things of interest:


Gods and Goddesses (Greek Mythology) /  Esbats & Full Moons Links to Personal Friends & Resources Wicca/Witchcraft Resources What's a spell? Circle Casting and Sacred Space  Pentagram - Pentacle Marks of a Witch The Witches Power The Witches Hat An esoteric guide to visiting London SatanismPow-wowThe Unitarian Universalist Association /  Numerology:  Part 1  Part 2  /  Part 3A history of the Malleus Maleficarum:  includes:  Pope Innocent VIII  /  The papal Bull  /   The Malleus Maleficarum  /  An extract from the Malleus Maleficarum  /  The letter of approbation  /  Johann Nider’s Formicarius  /  Jacob Sprenger  /  Heinrich Kramer  /  Stefano Infessura  /  Montague Summers  /  The Waldenses  /  The Albigenses  /  The Hussites /  The Native American Sun DanceShielding (Occult and Psychic Protection)  The History of ThanksgivingAuras  - Part 1 and Part 2 Doreen Valiente Witch” (A Book Review) /   


Sabbats and Festivals:


The Sabbats in History and Mythology /  Samhain (October 31st)  /  Yule (December 21st)  /  Imbolc (February 2nd)  /  Ostara (March 21st)  /  Beltane (April 30th)  /  Litha (June 21st)  /  Lammas/Lughnasadh (August 1st)  /  Mabon (September 21st)


Rituals contributed by Crone:


Samhain / Yule Imbolc Ostara /  Beltane Litha Lammas Mabon




Tools of a Witch  /  The Besom (Broom) /  Poppets and DollsPendulums / Cauldron Magick Mirror Gazing




Animals in Witchcraft (The Witches Familiar and Totem Animals) /  AntelopeBatsCrow Fox Frog and Toads Goat / HoneybeeKangarooLion OwlPhoenix Rabbits and HaresRaven Robin RedbreastSheep Spider SquirrelSwansUnicornWild Boar Wolf /  Serpent /  Pig /  Stag /  Horse /  Mouse /  Cat /  Rats /  Unicorn




In Worship of Trees - Myths, Lore and the Celtic Tree Calendar.  For descriptions and correspondences of the thirteen sacred trees of Wicca/Witchcraft see the following:  Birch /  Rowan / Ash /  Alder /  Willow Hawthorn /  Oak /  Holly /  Hazel /  Vine /  Ivy /  Reed /  Elder


Sacred Sites:


Mystical Sacred Sites  -  Stonehenge /  Glastonbury Tor /  Malta - The Hypogeum of Hal Saflieni /  Avebury /  Cerne Abbas - The Chalk Giant /  Ireland - Newgrange /


Rocks and Stones:


Stones - History, Myths and Lore


Articles contributed by Patricia Jean Martin:


Apophyllite  / Amber Amethyst Aquamarine Aragonite Aventurine Black Tourmaline Bloodstone Calcite Carnelian Celestite Citrine Chrysanthemum StoneDiamond  /  Emerald / Fluorite Garnet /  Hematite Herkimer Diamond Labradorite Lapis Lazuli Malachite Moonstone Obsidian Opal Pyrite Quartz (Rock Crystal) Rose Quartz Ruby Selenite Seraphinite  /  Silver and GoldSmoky QuartzSodalite Sunstone ThundereggTree AgateZebra Marble


Wisdom and Inspiration:


Knowledge vs Wisdom by Ardriana Cahill I Talk to the TreesAwakening The Witch in YouA Tale of the Woods I have a Dream by Martin Luther King /


Articles and Stories about Witchcraft:


Murdered by Witchcraft The Fairy Witch of Clonmel A Battleship, U-boat, and a Witch The Troll-Tear (A story for Children) /  Goody Hawkins - The Wise Goodwife /  The Story of Jack-O-Lantern The Murder of the Hammersmith Ghost Josephine Gray (The Infamous Black Widow) /  The Two Brothers - Light and Dark


Old Masters of Academia:


Pliny the ElderHesiodPythagoras





A "Who's Who" of Witches, Pagans and other associated People

(Ancient, Past and Present)


Remembered at Samhain

(Departed Pagan Pioneers, Founders, Elders and Others)


Pagan Pioneers:  Founders, Elders, Leaders and Others


Abramelin the Mage /  Agrippa Aidan A KellyAlbertus Magnus - “Albert the Great” Aleister Crowley - “The Great Beast” /  Alex Sanders - “King of the Witches” /  Alison Harlow /   Allan Bennett - the Ven. Ananda MetteyyaAllan Kardec (Spiritism) /  Alphonsus de SpinaAmber KAnn Moura /  Anna FranklinAnodea JudithAnton Szandor LaVey /  Arnold CrowtherArthur Edward Waite /  Austin Osman SpareBalthasar Bekker /  Biddy EarlyBarbara Vickers /  Bridget Cleary - The Fairy Witch of Clonmel /  Carl " Llewellyn" Weschcke Cecil Hugh WilliamsonCharles Godfrey Leland /   Charles WaltonChristopher PenczakChristina Oakley Harrington Cornelius Loos /  Damh the Bard - "Dave Smith" /  Dion Fortune /  Dolores Aschroft-NowickiDonald Michael Kraig Doreen ValienteDorothy MorrisonDr. John Dee & Edward Kelly /  Dr. Leo Louis Martello /  Edain McCoy /  Edward FitchEleanor Ray Bone - “Matriarch of British Witchcraft” Eliphas Levi /  Ernest Thompson Seton /  Ernest Westlake /  Fiona Horne /   Frederick McLaren Adams - Feraferia Friedrich von Spee /  Francis Barrett /  Gavin and Yvonne Frost and the School and Church of Wicca /  Gerald B. Gardner - The father of contemporary Witchcraft /  Gwydion Pendderwen Hans HolzerHelen Duncan /   Herman Slater - Horrible Herman /  Heinrich KramerIsaac Bonewits Israel RegardieIvo Domínguez Jr. /  Jack Whiteside Parsons - Rocket Science and Magick /  James "Cunning" Murrell - The Master of Witches /  Janet Farrar and Gavin BoneJean Bodin Jessie Wicker Bell - “Lady Sheba” / Johann Weyer  / Johannes Junius - "The Burgomaster of Bamberg" /   Johann Georg Fuchs von Dornheim  -  the “Hexenbrenner” (witch burner) /  John Belham-Payne John George Hohman - "Pow-wow" /  John Gerard /  John Gordon Hargrave and the Kibbo Kith Kindred /  John Michael Greer /  John Score /  Joseph “Bearwalker” Wilson /  Joseph John Campbell /  Karl von Eckartshausen Lady Gwen Thompson - and "The Rede of the Wiccae" /   Laurie Cabot  - "the Official Witch of Salem" /  Lewis SpenceLodovico Maria Sinistrari Ludwig LavaterMadeline Montalban and the Order of the Morning Star /  Margaret Alice MurrayMargot AdlerMichael Howard and the UK "Cauldron Magazine" /  Margaret St. Clair - the “Sign of the Labrys” /  Marie Laveau - " the Voodoo Queen of New Orleans" /  Marion WeinsteinMartin Antoine Del Rio Matthew Hopkins - “The Witch-Finder General” /   Max Ehrmann and the "Desiderata" /  Michael A. Aquino - and The Temple of Set /  Monique WilsonMontague Summers /  Nicholas CulpeperNicholas RemyM. R. SellarsMrs. Maud Grieve - "A Modern Herbal" /  Oberon Zell-Ravenheart and Morning GloryOld Dorothy Clutterbuck /  Old George PickingillOlivia Durdin-Robertson - co-founder of the Fellowship of Isis /  Paddy SladePamela Colman-SmithParacelsus /  Patricia CrowtherPatricia Monaghan /  Patricia “Trish” TelescoPaul Foster Case and the “Builders of the Adytum” mystery school /  Peter Binsfeld /  Philip HeseltonRaven GrimassiRaymond Buckland /  Reginald Scot /  Richard BaxterRobert CochraneRobert ‘von Ranke’ Graves and the "The White Goddess" /  Rosaleen Norton - “The Witch of Kings Cross” /  Rossell Hope Robbins /   Ross Nichols and the " Order of Bards, Ovates & Druids" (OBOD) /  Rudolf SteinerSabrina Underwood - "The Ink Witch" /  Scott CunninghamSelena Fox - founder of "Circle Sanctuary" /  Silver RavenwolfSir Francis Dashwood /  Sir James George Frazer and the " The Golden Bough"S.L. MacGregor Mathers and the “Hermetic Order of the Golden Dawn” /  Starhawk /  Stewart Farrar /  Sybil LeekTed Andrews The Mather Family - (includes:  Richard Mather, Increase Mather and Cotton Mather ) /   Thomas AdyT. Thorn CoyleVera ChapmanVictor & Cora Anderson and the " Feri Tradition" /  Vivianne CrowleyWalter Brown GibsonWalter Ernest ButlerWilliam Butler YeatsZsuzsanna Budapest /  



Many of the above biographies are briefs and far from complete.  If you know about any of these individuals and can help with additional information, please contact me privately at my email address below.  Many thanks for reading  :-)



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