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In Worship of TreesWritten and Compiled by George Knowles
The Alder Tree
The Alder tree (Alnus glutinosa) is one of the sacred trees of Wicca/Witchcraft and was a favoured tree of the ancient Druids. According to the Celtic Tree Calendar (the Beth-Luis-Nion calendar, a reconstruction by Robert “von Ranke” Graves author of The White Goddess), the Alder tree is the fourth tree of the year and represents the period 18th March – 14th April. As such, it is associated with Ostara (21st March), one of the Lesser Witch’s Sabbats. In folklore, the Alder tree is known as the “King of the Waters” and has the “Willow” tree as its Queen. This association is due to their natural habitat near lakes, rivers and streams. The Alder tree is native to the British Isles and continental Europe where it flourishes in temperate and cold climates. The leaves of the Alder are broadly ovate, stalked and usually smooth. It produces catkins (named for their resemblance to cat’s-tail) that are formed in the autumn, the fruiting ones having scales rather like tiny fir cones. The tree’s flowers appear in early spring before the leaves are fully out and its woody, nearly globular, female catkins are its so-called berries.
Alder trees are usually small in stature, but in perfect conditions can reach heights of 70 ft (21 meters). There are four stages of production on the Alder tree at any given time, the old cones of the previous year’s fruiting, the new year’s leaves or leaf-buds, and the new year’s male and female catkins. The tree matures at about 30 years of age at which time it is capable of producing a full crop of seeds. After this, it can live on to reach an age of about 150 years. It is also the only broad-leafed tree to produce cones. To the ancients, the Alder was particularly revered, for it appeared to bleed like humans. When an Alder tree is felled, its inner wood is white, but gradually over time it turns to a reddish-pink. The wood of the Alder has many uses. When young it is brittle and very easily worked, while its mature wood is tinted and veined. Due to the Alder’s resistance to water, it was used in the construction of bridges, particularly the long heavy piles driven into the ground or sometimes under water to support it. This quality for long endurance under water also made it valuable for pumps, troughs and sluices for which purposes it is said to have been used in sixteenth-century Venice, as well as France and Holland. The roots and knots of the Alder furnished good material for cabinet-makers. These were used for making clogs in old Lancashire mill-towns, however, demand exceeded supply and Birch had to be used instead. It was also used for making carts and spinning wheels, bowls, spoons, wooden heels and herring-barrel staves, etc. On the continent it was largely used for making cigar-boxes for which its reddish Cedar-like wood was well suited. After lying in a bog, the wood of the Alder has the colour but not the hardness of Ebony. In the Highlands of Scotland this 'bog Alder' was used for making handsome chairs from which it became known as 'Scottish Mahogany'. The branches of the Alder make a good charcoal, which was a valuable commodity for making gunpowder. Dyers, tanners and leather dressers used its bark commercially and fishermen use it for making nets. In Celtic folklore, the Alder is associated with the fairies and it was believed that doorways to the fairy realm were concealed within its trunk. The Alder was sacred to the god 'Bran' who carried a branch of it with him during the 'Battle of the Trees' saga, an old Celtic legend. Bran’s totem animal was the Raven, which also became associated with the Alder. Ritual pipes and whistles were often made from Alder wood, many in the shape of the Raven. A Taliesin riddle once asked the question: “Why is the Alder purple?”, and the answer is because Bran wore purple into battle. In some Norse and Irish legends, the first man was formed from the Alder while the first women came from the Rowan.
Italian witches used to mix the sap from the Alder tree with that of the madder plant, a Eurasian plant (Rubia tinctorum of the family Rubiaceae) to produce red dyes. These were then used to colour ribbons, cords and sashes for use in magick and ritual. Ritual bags made of wool and dyed red have been highly prized by Italian witches since classical times. Also, in Italy, the wood of the Alder was used to light the fires for the spring festival at Ostara. In dyeing, the Alder’s bark is used as a foundation for blacks with the addition of copperas. Alone, it dyes woollens a reddish colour (Aldine Red). The Laplanders chew it and dye leathern garments with their saliva. The young shoots of the Alder dye yellow, and with a little copper a yellowish-grey, which is useful in the half-tints and shadows of flesh in tapestry. The shoots cut in March will dye cinnamon, and if dried and powdered produce a tawny shade. The fresh wood yields a pinkish-fawn dye and the catkins a green dye. The leaves have been used in tanning leather. They are also clammy and, if spread in a room, are said to catch fleas on their sticky glutinous surface.
Magical and Medicinal uses:
Alder acts as both a tonic and astringent. A decoction of the bark is useful to bathe swellings and inflammations especially of the throat and has been known to cure ague. Peasants on the Alps have been reportedly cured of rheumatism by being covered with bags full of the heated leaves. Placing Alder leaves in your shoes will ease weary feet, which is a useful tip for walkers and hikers. Alder leaves, if collected in the morning with the dew still upon them, are sticky and gummy, and if carried around the home will attract fleas and other nasty pests. Horses, cows, sheep and goats eat Alder leaves, which is said to turn their tongues black. Swine, however, refuse to eat it. The Alder tree is known by the folk names: King of the Woods and Scottish Mahogany. Its deity association is with Bran. Its planetary ruler is Venus, and its associated elements are Fire and Water. The Alder is used to attract the powers needed for Protection, Divination, Oracles, Healing and anything to do with the element Water. Astrologically, Alder people (i.e. those who were born in the month of March to April) are like the Phoenix—they rebuild after each defeat or set back. Being psychically aware, they tend to be oracles, but they need to be careful not to abuse their gifts. They can be brutal in their frankness, but are also kind. They might sometimes be in need of protection spiritually because others will envy what they have and try to use it or take it from them. As the Alder takes 30 years to mature, so too Alder people can be very immature, often making rash and poorly thought-out decisions for themselves.
Sources: Cunningham's Encyclopedia Of Magical Herbs - By Scott Cunningham. Encyclopedia of Wicca & Witchcraft - By Raven Grimassi. The Encyclopedia of Witches & Witchcraft - By Rosemary Ellen Guiley. Tree Wisdom (The definitive guidebook to the myth, folklore and healing power of Trees) - By Jacqueline Memory Paterson. AA Book of Britain's Countryside. The Penguin Hutchinson Reference Library (CD cassette). Microsoft Encarta Encyclopedia (CD cassette). Plus many websites to numerous to mention.
First published in February 2002 - Updated February 2009 © George Knowles Best Wishes and Blessed Be. |
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Trees:
In Worship of Trees - Myths, Lore and the Celtic Tree Calendar. For descriptions and correspondences of the thirteen sacred trees of Wicca/Witchcraft see the following: Birch / Rowan / Ash / Alder / Willow / Hawthorn / Oak / Holly / Hazel / Vine / Ivy / Reed / Elder
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Biographies
A "Who's Who" of Witches, Pagans and other associated People (Ancient, Past and Present)
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Pagan
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Abramelin the Mage / Agrippa / Aidan A Kelly / Albertus Magnus - “Albert the Great” / Aleister Crowley - “The Great Beast” / Alex Sanders - “King of the Witches” / Alison Harlow / Allan Bennett - the Ven. Ananda Metteyya / Allan Kardec (Spiritism) / Alphonsus de Spina / Amber K / Ann Moura / Anna Franklin / Anodea Judith / Anton Szandor LaVey / Arnold Crowther / Arthur Edward Waite / Austin Osman Spare / Balthasar Bekker / Biddy Early / Barbara Vickers / Bridget Cleary - The Fairy Witch of Clonmel / Carl " Llewellyn" Weschcke / Cecil Hugh Williamson / Charles Godfrey Leland / Charles Walton / Christopher Penczak / Christina Oakley Harrington / Cornelius Loos / Damh the Bard - "Dave Smith" / Dion Fortune / Dolores Aschroft-Nowicki / Donald Michael Kraig / Doreen Valiente / Dorothy Morrison / Dr. John Dee & Edward Kelly / Dr. Leo Louis Martello / Edain McCoy / Edward Fitch / Eleanor Ray Bone - “Matriarch of British Witchcraft” / Eliphas Levi / Ernest Thompson Seton / Ernest Westlake / Fiona Horne / Frederick McLaren Adams - Feraferia / Friedrich von Spee / Francis Barrett / Gavin and Yvonne Frost and the School and Church of Wicca / Gerald B. Gardner - The father of contemporary Witchcraft / Gwydion Pendderwen / Hans Holzer / Helen Duncan / Herman Slater - Horrible Herman / Heinrich Kramer / Isaac Bonewits / Israel Regardie / Ivo Domínguez Jr. / Jack Whiteside Parsons - Rocket Science and Magick / James "Cunning" Murrell - The Master of Witches / Janet Farrar and Gavin Bone / Jean Bodin / Jessie Wicker Bell - “Lady Sheba” / Johann Weyer / Johannes Junius - "The Burgomaster of Bamberg" / Johann Georg Fuchs von Dornheim - the “Hexenbrenner” (witch burner) / John Belham-Payne / John George Hohman - "Pow-wow" / John Gerard / John Gordon Hargrave and the Kibbo Kith Kindred / John Michael Greer / John Score / Joseph “Bearwalker” Wilson / Joseph John Campbell / Karl von Eckartshausen / Lady Gwen Thompson - and "The Rede of the Wiccae" / Laurie Cabot - "the Official Witch of Salem" / Lewis Spence / Lodovico Maria Sinistrari / Ludwig Lavater / Madeline Montalban and the Order of the Morning Star / Margaret Alice Murray / Margot Adler / Michael Howard and the UK "Cauldron Magazine" / Margaret St. Clair - the “Sign of the Labrys” / Marie Laveau - " the Voodoo Queen of New Orleans" / Marion Weinstein / Martin Antoine Del Rio / Matthew Hopkins - “The Witch-Finder General” / Max Ehrmann and the "Desiderata" / Michael A. Aquino - and The Temple of Set / Monique Wilson / Montague Summers / Nicholas Culpeper / Nicholas Remy / M. R. Sellars / Mrs. Maud Grieve - "A Modern Herbal" / Oberon Zell-Ravenheart and Morning Glory / Old Dorothy Clutterbuck / Old George Pickingill / Olivia Durdin-Robertson - co-founder of the Fellowship of Isis / Paddy Slade / Pamela Colman-Smith / Paracelsus / Patricia Crowther / Patricia Monaghan / Patricia “Trish” Telesco / Paul Foster Case and the “Builders of the Adytum” mystery school / Peter Binsfeld / Philip Heselton / Raven Grimassi / Raymond Buckland / Reginald Scot / Richard Baxter / Robert Cochrane / Robert ‘von Ranke’ Graves and the "The White Goddess" / Rosaleen Norton - “The Witch of Kings Cross” / Rossell Hope Robbins / Ross Nichols and the " Order of Bards, Ovates & Druids" (OBOD) / Rudolf Steiner / Sabrina Underwood - "The Ink Witch" / Scott Cunningham / Selena Fox - founder of "Circle Sanctuary" / Silver Ravenwolf / Sir Francis Dashwood / Sir James George Frazer and the " The Golden Bough" / S.L. MacGregor Mathers and the “Hermetic Order of the Golden Dawn” / Starhawk / Stewart Farrar / Sybil Leek / Ted Andrews / The Mather Family - (includes: Richard Mather, Increase Mather and Cotton Mather ) / Thomas Ady / T. Thorn Coyle / Vera Chapman / Victor & Cora Anderson and the " Feri Tradition" / Vivianne Crowley / Walter Brown Gibson / Walter Ernest Butler / William Butler Yeats / Zsuzsanna Budapest /
Many of the above biographies are briefs and far from complete. If you know about any of these individuals and can help with additional information, please contact me privately at my email address below. Many thanks for reading :-)
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